Great work to everyone who has managed to complete the preliminary exercise recreation task and post it to YouTube/blogs. You will present these in class and will need to answer the following questions:
1) Why did you choose this particular recreation and how does it link to your main production?
2) What difficulties did you face in producing this recreation?
3) What are the strengths of the production?
4) What aspects would you look to improve?
5) What lessons will you take from this process that will help you with your main production?
Once you have presented your work in class, you need to make sure the production is posted to your blog along with written answers to the above five questions.
Finish for homework - due next Wednesday.
I look forward to seeing your work in the lesson!
Friday, January 30, 2015
Wednesday, January 28, 2015
Post-colonialism: blog task
To complete our work on post-colonial theory, work through the following tasks:
1) Summarise the three theorists we have looked at: Alvarado, Fanon and Said.
2) Watch the opening of Yasmin (2004) again. Does it offer a positive or negative view of British Muslims? To what extent does it reinforce or challenge Edward Said's theory of Orientalism - that the west is superior to the exotic or uncivilised east?
3) Finally, choose THREE clips for EACH of the theorists and explain how you could apply that theory to the clip. Pick a selection of clips on YouTube from TV, film, music video or advertising and embed them in your blog before writing your analysis under each clip. Note: this means you need NINE clips in total on this blogpost.
Complete for homework: due next Wednesday
1) Summarise the three theorists we have looked at: Alvarado, Fanon and Said.
2) Watch the opening of Yasmin (2004) again. Does it offer a positive or negative view of British Muslims? To what extent does it reinforce or challenge Edward Said's theory of Orientalism - that the west is superior to the exotic or uncivilised east?
3) Finally, choose THREE clips for EACH of the theorists and explain how you could apply that theory to the clip. Pick a selection of clips on YouTube from TV, film, music video or advertising and embed them in your blog before writing your analysis under each clip. Note: this means you need NINE clips in total on this blogpost.
Complete for homework: due next Wednesday
Year 13 MEST1 re-sit
A reminder to those students who are planning to re-sit the MEST1 exam in May that the deadline for paying for your entry is next week.
Currently, the price to re-sit MEST1 is £20.65 but this will double if you miss the deadline.
The exams office in A Block have a list of Media students who need to re-take the exam and Ms Cunningham is waiting for your money. Remember, if you have access to a bursary then exam entries can be paid for from this - speak to Sarah in post-16 for more information.
If you're not sure if this applies to you then speak to Mr Halsey or Mr Bush as soon as possible.
Currently, the price to re-sit MEST1 is £20.65 but this will double if you miss the deadline.
The exams office in A Block have a list of Media students who need to re-take the exam and Ms Cunningham is waiting for your money. Remember, if you have access to a bursary then exam entries can be paid for from this - speak to Sarah in post-16 for more information.
If you're not sure if this applies to you then speak to Mr Halsey or Mr Bush as soon as possible.
Tuesday, January 20, 2015
Identities: Post-colonialism
Post-colonialism does not simply refer to the period after the colonial era. It can also be seen as a continuation of colonialism, albeit through different or new relationships concerning power and the control/production of knowledge.
We are interested in post-colonialism and identity in terms of the representation of non-white groups in British media.
Two key post-colonial theorists:
Alvarado (1987)
Four key themes in racial representations:
Often quoted in relation to the black community but can be applied to other non-white groups:
We are interested in post-colonialism and identity in terms of the representation of non-white groups in British media.
Two key post-colonial theorists:
Alvarado (1987)
Four key themes in racial representations:
Often quoted in relation to the black community but can be applied to other non-white groups:
- Exotic (models; music artists; food)
- Dangerous (crime; gangs; socially dysfunctional)
- Humorous (comedians; sidekicks; quirky)
- Pitied (poverty)
Frantz Fanon: “Putting on the white mask”
Typically black stereotypes can:
- Infantilize - such as the 'cute' children of the Charity Poster or the 'simple-minded‘ 'Step ‘n’ fetch it‘ lazy comedian.
- Primitivize - The 'exotic & virile' tribal warriors or 'bare-breasted maidens' with a 'natural sense of rhythm‘. Sporting prowess.
- Decivilize - The 'Gangsta', 'Pimp' etc.
- Essentialize - Undifferentiated mass-'they all look the same to me'
Destiny Ekaragha
Destiny Ekaragha spoke brilliantly at the Media Magazine conference about being a young black filmmaker in London. She showed clips from two of her films - the short Tight Jeans and the feature length Gone Too Far!
Post-colonialism: blog task
1) Read the excellent article exploring the different representations of black people in British film and TV from Media Magazine 42 (MM42 from our Media Magazine archive - page 51)
2) List FIVE films, FIVE TV programmes and FIVE online-only productions that are discussed in the article.
3) Watch Destiny Ekaragha's clips above (more of her work is available on her website, including the short film The Park). To what extent can we apply Alvarado's and Fanon's theories to these films? Do they reinforce or subvert typical black stereotypes in British film and TV? Refer to specific scenes and events in the clips in answering this question and aim for at least 350 words.
Complete for homework if you don't finish it in the lesson.
Reminder: your 15 questions on the media coverage of the riots is due Friday.
Your latest two new/digital media articles are due today.
1) Read the excellent article exploring the different representations of black people in British film and TV from Media Magazine 42 (MM42 from our Media Magazine archive - page 51)
2) List FIVE films, FIVE TV programmes and FIVE online-only productions that are discussed in the article.
3) Watch Destiny Ekaragha's clips above (more of her work is available on her website, including the short film The Park). To what extent can we apply Alvarado's and Fanon's theories to these films? Do they reinforce or subvert typical black stereotypes in British film and TV? Refer to specific scenes and events in the clips in answering this question and aim for at least 350 words.
Complete for homework if you don't finish it in the lesson.
Reminder: your 15 questions on the media coverage of the riots is due Friday.
Your latest two new/digital media articles are due today.
Wednesday, January 14, 2015
Identities and the Media: Reading the Riots
The media coverage of the UK riots in 2011 provides a strong case study in the representation of young people. There is an excellent extended analysis of the media coverage of the riots by media professor David Buckingham in Media Magazine.
Read the Media Magazine extended feature on the media coverage of the UK riots (MM38 page 5)
Go to our Media Magazine archive, select MM38 and read the WHOLE eight-page feature. Answer the following questions on your blog with as many references to media theory and examples as possible. Refer to specific aspects of the Media Magazine article too:
Read the Media Magazine extended feature on the media coverage of the UK riots (MM38 page 5)
Go to our Media Magazine archive, select MM38 and read the WHOLE eight-page feature. Answer the following questions on your blog with as many references to media theory and examples as possible. Refer to specific aspects of the Media Magazine article too:
- How did the language and selection of images in the coverage create a particular representation of young people?
- Why does David Buckingham mention Owen Jones and his work Chavs: the demonisation of the working class?
- What is the typical representation of young people – and teenage boys in particular? What did the 2005 IPSOS/MORI survey find?
- How can Stanley Cohen’s work on Moral Panic be linked to the coverage of the riots?
- What elements of the media and popular culture were blamed for the riots?
- How was social media blamed for the riots? What was interesting about the discussion of social media when compared to the Arab Spring in 2011?
- The riots generated a huge amount of comment and opinion - both in mainstream and social media. How can the two-step flow theory be linked to the coverage of the riots?
- Alternatively, how might media scholars like Henry Jenkins view the 'tsunami' of blogs, forums and social media comments? Do you agree that this shows the democratisation of the media?
- What were the right-wing responses to the causes of the riots?
- What were the left-wing responses to the causes of the riots?
- What are your OWN views on the main causes of the riots?
- How can capitalism be blamed for the riots? What media theory (from our new/digital media unit) can this be linked to?
- Were people involved in the riots given a voice in the media to explain their participation?
- In the Guardian website's investigation into the causes of the riots, they did interview rioters themselves. Read this Guardian article from their Reading the Riots academic research project - what causes are outlined by those involved in the disturbances?
- What is your own opinion on the riots? Do you have sympathy with those involved or do you believe strong prison sentences are the right approach to prevent such events happening in future?
Complete for homework if you don't complete it during the lesson. Due: end of next week
Note: your TWO new/digital media stories (one news/journalism based) are STILL due every week on your MEST3 exam blogs. These will continue right up until the exam in June.
Year 13 Preliminary Exercise: Recreation examples
A shot-by-shot recreation is a an excellent test of your imagination, planning and technical skills. You need to choose an appropriate 30-second scene, plan out each shot carefully and then shoot and edit it exactly the same as the original. There are plenty of examples of shot-by-shot recreations on YouTube... here are a selection:
Fight Club 'Hit me' scene recreation:
Original scene (poor quality):
Friends opening titles recreation:
Original Friends titles:
Michael Jackson Thriller recreation:
Michael Jackson Thriller original:
You'll also find plenty of examples online of comedy or parody shot-by-shot recreations. It's unlikely your recreation will be a comedy (unless your Critical Investigation is on comedy or similar) but they are very entertaining and quite useful in terms of seeing how each shot is recreated faithfully.
Here's an excellent parody that followed someone losing a Fantasy Football bet. The screens are side-by-side to give you a great indication of how a shot-by-shot recreation needs to include perfect mise-en-scene - particularly location, props, costume and actor movement.
Sia – Chandelier recreation (lost bet parody):
There are also plenty of 'homemade' trailers and clips that also follow the shot-by-shot recreation model. These take big-budget Hollywood scenes or films and recreate them at home using puppets or budget costumes and locations. Again, it can be useful to see these to get an idea of how the framing of shots is the most important aspect of the recreation.
Hunger Games: Mockingjay Part 1 homemade trailer:
And the original Hunger Games trailer:
Fight Club 'Hit me' scene recreation:
Original scene (poor quality):
Friends opening titles recreation:
Original Friends titles:
Michael Jackson Thriller recreation:
Michael Jackson Thriller original:
You'll also find plenty of examples online of comedy or parody shot-by-shot recreations. It's unlikely your recreation will be a comedy (unless your Critical Investigation is on comedy or similar) but they are very entertaining and quite useful in terms of seeing how each shot is recreated faithfully.
Here's an excellent parody that followed someone losing a Fantasy Football bet. The screens are side-by-side to give you a great indication of how a shot-by-shot recreation needs to include perfect mise-en-scene - particularly location, props, costume and actor movement.
Sia – Chandelier recreation (lost bet parody):
There are also plenty of 'homemade' trailers and clips that also follow the shot-by-shot recreation model. These take big-budget Hollywood scenes or films and recreate them at home using puppets or budget costumes and locations. Again, it can be useful to see these to get an idea of how the framing of shots is the most important aspect of the recreation.
Hunger Games: Mockingjay Part 1 homemade trailer:
And the original Hunger Games trailer:
Sunday, January 11, 2015
Year 13 Linked Production planning
For your Year 13 MEST4 coursework, 32 of the 80 marks are for a piece of production work that links with your Critical Investigation. Key details:
- You CAN work with others but the production MUST have some kind of link to ALL of your Critical Investigations. Group size limited to FOUR by AQA.
- Video work generally should be around 3 minutes long and no longer than 5 minutes. However, certain genres or texts will be shorter than this (e.g. 30-second advertisements or 2-minute film trailers).
- Print work must be a MINIMUM of three full A4 pages per candidate (e.g. if a pair work on print work the minimum is SIX full A4 pages).
- Found images/video (e.g. downloaded from the internet) are NOT permitted except as minor additional material (e.g. a small cut-out of a celebrity to use on a magazine cover).
- To achieve top marks, your work must comfortably sit alongside professional examples of the text and genre you have chosen.
- As with AS Level work, the key to professional production work is highly detailed research into the key conventions of your chosen text.
Important note: your Year 13 Linked Production CANNOT be the same as your Year 12 brief (opening of a TV programme aimed at E4 audience) OR the other two Y12 briefs (two-minute section/trailer for a TV lifestyle show; a two-minute music video introducing and promoting a new music artist).
A reminder of your Year 12 MEST2 brief: Produce the opening few scenes of your TV programme establishing narrative themes, characters and location. You could include a title sequence and your finished product should be approximately two minutes long.
Writing your own Linked Production brief
Complete the following and post it to your blog in a new blogpost called 'Linked Production brief'.
Your Critical Investigation topic:
Your Linked Production brief:
Length/size of production (e.g. 3 minutes, 5 pages etc.):
Give an example of an existing media text this is similar to what you plan to produce:
Give an example of an institution that would produce or distribute your planned production:
How would your production reach its audience?
Who do you plan to work with on this project?
Preliminary exercise: Recreation task
Your Year 13 Preliminary Exercise is to produce a 30-second shot-by-shot recreation of an existing text that is similar to the production you are planning to create. Complete the following in a blogpost called 'Recreation task planning':
Name of the text you plan to recreate:
Scene/section you will recreate:
Location you will use for your recreation:
Actors you will require for your recreation:
Props/costumes you will require for your recreation:
Equipment you plan to use:
Any other relevant information:
Recreation deadline: Two weeks
MEST4 Linked Production deadline: Easter
Tuesday, January 06, 2015
Institution case study: News Corporation
News Corp is one of the world's largest media conglomerates.
In the UK (under two subsidiary companies, News International and BSKYB), its news interests include The Times, The Sunday Times, The Sun & The Sun on Sunday (plus their online versions) in addition to Sky News & Sky Sports News.
News Corp is a cross-platform, vertically integrated multi-media company.
Some of the ideas we have discussed in class regarding the impact of new and digital media on News Corp include:
Tasks
1) Research News Corporation’s response to the growth of new and digital media by listing each of the institution’s brands (Sky News, Times etc.) Have any closed, changed or been in the news in the last five years for any reason?
2) Develop examples of the impact that new and digital media has had on News Corp’s brands (paywalls, readership figures, audience share etc.)
3) Use what you have found out about News Corp to answer the following question:
Why and with what success are traditional media institutions adapting to the challenge posed by new/digital media?
In the UK (under two subsidiary companies, News International and BSKYB), its news interests include The Times, The Sunday Times, The Sun & The Sun on Sunday (plus their online versions) in addition to Sky News & Sky Sports News.
News Corp is a cross-platform, vertically integrated multi-media company.
Some of the ideas we have discussed in class regarding the impact of new and digital media on News Corp include:
- Online subscriptions/paywalls
- Price promotions for newspapers
- Impact on institution content and its appeal
- Paid subscriptions for TV content
- Quality of journalism
- User generated content
- Social media/online news providers (Huff Post, Ampp3d etc.)
Tasks
1) Research News Corporation’s response to the growth of new and digital media by listing each of the institution’s brands (Sky News, Times etc.) Have any closed, changed or been in the news in the last five years for any reason?
2) Develop examples of the impact that new and digital media has had on News Corp’s brands (paywalls, readership figures, audience share etc.)
3) Use what you have found out about News Corp to answer the following question:
Why and with what success are traditional media institutions adapting to the challenge posed by new/digital media?
Complete for homework if you don't finish it in the lesson.
Sunday, January 04, 2015
Happy New Year!
Welcome back to A Level Media - we hope you had a brilliant holiday and are refreshed and ready for a very busy term ahead.
You'll be writing Critical Investigation final drafts and making your linked productions over the next few weeks. In fact, you'll be writing your production brief next week and starting a 30-second recreation task to refresh those practical skills from last year. It's a lot to do and remember the Spring Term is a short, sharp 12-week term!
On the exam side, you'll be doing an in-depth case study on an aspect of new and digital media that you're particularly interested in to add to the work we've done on News. Before that, we'll be looking at the other side of the exam - Identities in the Media. This will bring in the riots, post-colonial theory, feminism and how we represent ourselves in modern media. We've got a brilliant conference at the BFI on the New and Digital Media coming up in a couple of weeks too.
Remember: you've got a MEST3 Section B assessment on Friday (New and Digital Media essay) so make sure you are revising EVERYTHING you've learned last term.
There's an A grade waiting for you if you're willing to put the work in - good luck!
You'll be writing Critical Investigation final drafts and making your linked productions over the next few weeks. In fact, you'll be writing your production brief next week and starting a 30-second recreation task to refresh those practical skills from last year. It's a lot to do and remember the Spring Term is a short, sharp 12-week term!
On the exam side, you'll be doing an in-depth case study on an aspect of new and digital media that you're particularly interested in to add to the work we've done on News. Before that, we'll be looking at the other side of the exam - Identities in the Media. This will bring in the riots, post-colonial theory, feminism and how we represent ourselves in modern media. We've got a brilliant conference at the BFI on the New and Digital Media coming up in a couple of weeks too.
Remember: you've got a MEST3 Section B assessment on Friday (New and Digital Media essay) so make sure you are revising EVERYTHING you've learned last term.
There's an A grade waiting for you if you're willing to put the work in - good luck!
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