MEST4 Preliminary exercise: evaluation

Well done to everyone who has managed to complete the preliminary exercise recreation task and post it to YouTube/blogs. 

This was a tight deadline and a very challenging task - it's the perfect training exercise for your crucial linked productions that follow. 

You will present your preliminary exercise in class with an explanation of what you did, how the project went and what you learned for the main production. Following the screening, answer the following questions on your blog:

1) Why did you choose this particular recreation and how does it link to your main production?

2) What difficulties did you face in producing this recreation?

3) What are the strengths of the production?

4) What aspects would you look to improve?

5) What lessons will you take from this process that will help you with your main production?

6) Now that you are ready to start your actual linked production, explain clearly what you will be creating and how confident you are in delivering this.

Once you have presented your work in class, you need to make sure the production is posted to your blog (via YouTube) along with the original clip and full written answers to the above questions.

Finish for homework - deadline set in class.

Identities and the Media: Post-colonial theory

Post-colonial theory is an important part of our work on Identities and the Media.

Post-colonialism does not simply refer to the period after the colonial era. It can also be seen as a continuation of colonialism, albeit through different or new relationships concerning power and the control/production of knowledge. The notes sheet we read in class is available here.

We are interested in post-colonialism and identity in terms of the representation of non-white groups in British media.

Two key post-colonial theorists:

Alvarado (1987)

Four key themes in racial representations; often quoted in relation to the black community but can be applied to other non-white groups:

• Exotic (models; music artists; food)
• Dangerous (crime; gangs; socially dysfunctional)
• Humorous (comedians; sidekicks; quirky)
• Pitied (poverty)

Frantz Fanon: “Putting on the white mask”

Typically black stereotypes can:

• Infantilize - such as the 'cute' children of the Charity Poster or the 'simple-minded‘ 'Step ‘n’ fetch it‘ lazy comedian.
• Primitivize - The 'exotic & virile' tribal warriors or 'bare-breasted maidens' with a 'natural sense of rhythm‘. Sporting prowess.
• Decivilize - The 'Gangsta', 'Pimp' etc.
• Essentialize - Undifferentiated mass-'they all look the same to me'

Textual analysis: Destiny Ekaragha

Destiny Ekaragha is a black filmmaker from South London who wrote the awarded winning play - and then film - of Gone Too Far! She has also produced acclaimed short films set in South London including Tight Jeans:

Post-colonialism: blog task

1) Read the excellent article exploring the different representations of black people in British film and TV from Media Magazine 42 (MM42 from our Media Magazine archive - page 51). Pick three key points from the article and bullet point them here.

2) List FIVE films, FIVE TV programmes and FIVE online-only productions that are discussed in the article. These are great examples you could use in the MEST1 or MEST3 unseen exams.

3) Watch Destiny Ekaragha's clips above (more of her work is available on her website, including the short film The Park). To what extent can we apply Alvarado's and Fanon's theories to these films? Do they reinforce or subvert typical black stereotypes in British film and TV? Refer to specific scenes and events in the clips in answering this question and aim for at least 350 words.

Complete for homework if you don't finish it in the lesson.

January assessment: Learner response

Your MEST3 Section B January assessment is a good opportunity to reflect on your progress so far in Year 13. Are you on track to reach your target grade in A2 Media? 

Complete the following tasks on your blog as your learner response:

1) Type up your feedback in full (you do not need to write mark/grade if you do not wish to).

2) Read through the mark scheme (go to the last two pages of the document - Section B New/digital media). Of the six different statements for each level (e.g. A sophisticated and comprehensive essay, showing very good critical autonomy.) write which level you think YOU are currently working at for each one. Explain WHY and, for any that are not Level 4, what you are going to do to improve in that area. 

3) Look at the Examiners' Report for this particular paper. Read page 10 - Section B New/digital media. How many of the good points or higher level answer examples did you include in your essay? What were they? What could you have added to improve your mark?

4) Read through these exemplar A grade essays from previous Media graduates. What do these essays offer that yours does not? Identify THREE things you can take from these essays to improve your own responses in future.

5) Write ONE new paragraph for your January assessment essay. Ideally, this should be a section you did not cover in your original essay. This paragraph needs to be comprehensive and meet the criteria for Level 4 of the mark scheme. Minimum 300 words.

Finish for homework if you don't complete it in the lesson. Due date: set by your exam class teacher.

MEST4 Preliminary Exercise: Recreation examples

A shot-by-shot recreation is a an excellent test of your imagination, planning and technical skills. 

You need to choose an appropriate 30-second scene, plan out each shot carefully and then shoot and edit it exactly the same as the original. There are plenty of examples of shot-by-shot recreations on YouTube... here are a selection:

Fight Club 'Hit me' scene recreation:



Original scene (poor quality):




Friends opening titles recreation:



Original Friends titles:

 

Michael Jackson Thriller recreation:



Michael Jackson Thriller original:




You'll also find plenty of examples online of comedy or parody shot-by-shot recreations. It's unlikely your recreation will be a comedy (unless your Critical Investigation is on comedy or similar) but they are very entertaining and quite useful in terms of seeing how each shot is recreated faithfully.

Here's an excellent parody that followed someone losing a Fantasy Football bet. The screens are side-by-side to give you a great indication of how a shot-by-shot recreation needs to include perfect mise-en-scene - particularly location, props, costume and actor movement.

Sia – Chandelier recreation (lost bet parody):



There are also plenty of 'homemade' trailers and clips that also follow the shot-by-shot recreation model. These take big-budget Hollywood scenes or films and recreate them at home using puppets or budget costumes and locations. Again, it can be useful to see these to get an idea of how the framing of shots is the most important aspect of the recreation.

Hunger Games: Mockingjay Part 1 homemade trailer:




And the original Hunger Games trailer:




Print recreation

If you are planning to use print for your linked production, you need to recreate one page of A4 from a professional media text that is similar to what you will be creating. You will need to arrange a photoshoot to produce the original photography and then design the page on Photoshop. Here's an example from Amrit who recreated the front cover of Vogue magazine last year.

Recreation deadline: Wednesday 31 January

Identities and the Media: Reading the riots

The media coverage of the UK riots in 2011 provides a strong case study in the representation of young people and how identity is constructed in the media. 

There was an excellent extended analysis of the media coverage of the riots by media professor David Buckingham in Media Magazine - it's essential reading for any Media student. Complete the following tasks:

Read the Media Magazine extended feature on the media coverage of the UK riots (MM38 page 5)

Go to our Media Magazine archive, select MM38 and read the WHOLE eight-page feature. Answer the following questions on your blog with as many references to media theory and examples as possible. Refer to specific aspects of the Media Magazine article too:

1. How did the language and selection of images in the coverage create a particular representation of young people? 
2. Why does David Buckingham mention Owen Jones and his work Chavs: the demonisation of the working class?
3. What is the typical representation of young people – and teenage boys in particular? What did the 2005 IPSOS/MORI survey find?
4. How can Stanley Cohen’s work on Moral Panic be linked to the coverage of the riots?
5. What elements of the media and popular culture were blamed for the riots?
6. How was social media blamed for the riots? What was interesting about the discussion of social media when compared to the Arab Spring in 2011?
7. The riots generated a huge amount of comment and opinion - both in mainstream and social media. How can the two-step flow theory be linked to the coverage of the riots? 
8. Alternatively, how might media scholars like Henry Jenkins view the 'tsunami' of blogs, forums and social media comments? Do you agree that this shows the democratisation of the media?
9. What were the right-wing responses to the causes of the riots?
10. What were the left-wing responses to the causes of the riots?
11. What are your OWN views on the main causes of the riots?
12. How can capitalism be blamed for the riots? What media theory (from our new/digital media unit) can this be linked to?
13. Were people involved in the riots given a voice in the media to explain their participation?
14. In the Guardian website's investigation into the causes of the riots, they did interview rioters themselves. Read this Guardian article from their Reading the Riots academic research project - what causes are outlined by those involved in the disturbances?
15. What is your own opinion on the riots? Do you have sympathy with those involved or do you believe strong prison sentences are the right approach to prevent such events happening in future?

Complete for homework if you don't complete it during the lesson. Due date: set by exam teacher 

Note: your TWO new/digital media stories (one news/journalism based) are STILL due every week on your MEST3 exam blogs. These will continue right up until the exam in June.

MEST4: Linked Production planning

For your Year 13 MEST4 coursework, 32 of the 80 marks are for a piece of production work that links with your Critical Investigation. Key details:

• You CAN work with others but the production MUST have some kind of link to ALL of your Critical Investigations. Group size limited to FOUR by AQA.
• Video work generally should be around 3 minutes long and no longer than 5 minutes. However, certain genres or texts will be shorter than this (e.g. 30-second advertisements or 2-minute film trailers).
• Print work must be a MINIMUM of five full of A4 pages per candidate (e.g. if a pair work on print work the minimum is TEN full A4 pages).
• Found images/video (e.g. downloaded from the internet) are NOT permitted except as minor additional material (e.g. a small cut-out of a celebrity to use on a magazine cover).
• To achieve top marks, your work must comfortably sit alongside professional examples of the text and genre you have chosen.
• As with AS Level work, the key to professional production work is highly detailed research into the key conventions of your chosen text.

Important note: your Year 13 Linked Production CANNOT be the same as your Year 12 brief (three-minute extract from a 30-minute arthouse film) OR the other Y12 briefs (two-minute section/trailer for a TV lifestyle show; a two-minute music promotion introducing and showcasing a new music artist). 

A reminder of your Year 12 MEST2 brief: Create a three-minute extract from your proposed arthouse film.


Writing your own Linked Production brief

Complete the following and post it to your blog in a new blogpost called 'Linked Production brief'.

Your Critical Investigation topic: 


Your Linked Production brief: 


Length/size of production (e.g. 3 minutes, 5 pages etc.): 


Give an example of an existing media text this is similar to what you plan to produce: 


Give an example of an institution that would produce or distribute your planned production:


How would your production reach its audience?


Who do you plan to work with on this project?



Preliminary exercise: Recreation task

Your Year 13 Preliminary Exercise is to produce a 30-second OR one-page shot-by-shot recreation of an existing text that is similar to the production you are planning to create. Complete the following in a blogpost called 'Recreation task planning':


Name of the text you plan to recreate:


Scene/section you will recreate:


Location you will use for your recreation filming/photoshoot:


Actors you will require for your recreation:


Props/costumes you will require for your recreation:


Equipment you plan to use:


Any other relevant information:



Recreation deadline: Two weeks

MEST4 Linked Production deadline: Easter

Spring term update

We’ve got an incredibly important term coming up – it’s only 11 weeks to Easter and in that time we will be completing our critical investigations, producing our linked productions and covering the second MEST3 exam topic.

In your exam lessons, you will be focusing on Identities and the Media – the second MEST3 exam topic. This will explore representations of youth, post-colonial theory (largely the post-war representation of non-white people in Britain), Feminism and gender representation and constructing our own identities in the digital age. Before Easter, you’ll be returning to your New and Digital Media exam topic and researching your own independent case study on a media industry of your choice. Here, you’ll be applying everything you learned in the Autumn to a new industry, exploring the impact new and digital media has had on institutions and audiences in that field. 

In terms of coursework, this is the term when you will develop a final draft of your Critical Investigation as well as planning, writing, shooting and editing your linked production. There’s a lot of work to do and the time will fly by so make sure you’re organised, committed and as creative as you can be.

What can you do to maximise your grade in A2 Media Studies?

Now is the time to really step up your consumption of wider issues and debates in the media. If you want an A/A* grade, you need to be doing the following as a minimum:

• Not only completing the minimum homework of two new/digital media stories but really finding excellent articles on the future of news and journalism from across the web. Make yourself an expert on the impact of new and digital technology on media industries.

• This will mean keeping up with the Media Guardian to find out the big stories in the media each week – particularly on a Monday. Look beyond digital media – you should have opinions on politics, economics, media ownership, censorship, data mining and online privacy. 

• Reading each issue of Media Magazine. Our archive is available here – the latest issue (MM62) has excellent features on Moonlight, virtual reality, Dunkirk, Love Island and the Handmaid's Tale - all excellent, relevant articles. Indeed, there may well be features that are useful for your critical investigation second drafts as well as exam preparation.

• Using our excellent archive of Media Factsheets on the M: drive Media Shared (M:\Resources\A Level\Media Factsheets) to revise and increase your knowledge of wider media issues and debates. There are over 100 topics covered, many of them highly relevant to our exam preparation (particularly media theory and debates) and critical investigations. 

We made superb progress last term and have given ourselves the platform to achieve the very top grades in Media. Now, we need to go out and get them. Good luck!