The following comprises TASK SIX...- Carry out a close textual analysis of a chosen scene from your main text and post it up on your blog. The scene should be able to exemplify some of the key points you wish to make in your Independent Study and link with some of the key issues and debates that your text raises.
Think of the task as like a Module 6 analysis but with one text instead of two - so you need to cover MIGRAIN and SHEP and you are advised to watch the scene several times and to make detailed notes before embarking on the write-up. Also, use the Key Concepts Glossary from Year 12 to help you think about terminology to use (see below). You should be including as many of these keywords and ideas as possible in your analysis.
Glossary: Key Concepts/Key Terminology
Media Language (M) what techniques are being used to make meaning in the text? semiotics: non-verbal codes, denotation/connotation, signs, signification, anchoringcinematography, camerawork: composition, framing, BCU, CU, MS, LS, pan, tilt, tracking shot, zoom mise-en-scéne: clothing, props, gestures, facial expressions, sets, setting lighting: key light, back light, filler light; underlighting, top lighting, back lighting; low-key/high-key lighting sound: diegetic/non-diegetic; on/off screen, sound bridge; parallel/contrapuntal sound, voiceover narration editing: continuity editing, jump cut, dissolve, wipe, fade in/out, cross-cutting, paralleling, cutaways, montage, suturing (shot/reverse shot) Institution (I) who produces, distributes, regulates the text? production: Hollywood/non-Hollywoodpromotion: reach, trailers, posters, publicity, marketing distribution: mainstream, multiplex cinema/independent, alternative, art-house cinemascheduling: prime-time; the ‘watershed’ broadcasting: public broadcasting (BBC, public service)/commercial television (advertising, profit) ethics: (non) intervention, manipulation, ‘set-ups’, reconstruction, simulation, exploitation, ‘dumbing down’ Genre (G) what type of text is it? hybrid genre, sub-genregeneric conventions/repertoire of elements: iconography, style, setting, narrative, characters, themes repetition/variationappropriation: parody, pastiche, formulaic, homage film genres: film noir, horror, gangster, melodrama, teen moviedocumentary elements: ‘fly on the wall’, observational documentary, actuality, ‘vox pops’, formats documentary genres: institutional, ‘reality TV’, social issue, reportage/investigative, docudrama, docusoap development of doc: Vertov, Riefenstahl, propaganda, city symphony, cinema vérité, Direct Cinema broadcast fiction genres: one-off drama, series, serial/mini-series, soap opera, sitcom broadcast fiction elements: title sequence, theme tune, melodrama, tragedy, comic relief Representation (R) who or what is being represented in the text? how? gender, ethnicitypositive/negative: fair, accurate, reflects societystereotypes: challenge/reinforcemediation: constructed, constructedness, mis-representation, selection, compressionrealist aesthetic, naturalismAudience (A) who consumes the text? primary/secondary audiencestarget audience: age, gender, ethnicity, social background, interests (genre) expectations: fulfilled/cheated, subvertednarrative pleasures: suspense/dramatic irony, identification/alienation, stars, escapism, entertainmentaesthetic/visual pleasure sexual/psychological pleasures: sadism, voyeurism reception: how? when? where? possible audience readingsappeal, popularity Ideology & Values (I) what are the belief systems/messages/values underpinning the text?liberal values: progressive values, anti-racism, multi-culturalism dominant ideology: traditional values, maintain the status quo positive values: to educate, to inform, to create sympathy, to encourage social or political change patriarchy: misogyny, feminismNarrative (N) how is the narrative in the text organized and structured? closed narrative/open narrativeexposition: recapitulation, foreshadowing closure: denouement, resolution/cliffhanger, resisting closure linear narrative: chronologicalnon-linear narrative: flashbacknarrative structure: equilibrium-disequilibrium-new equilibrium (Todorov) narrative roles: protagonist, hero/rescuer, villain, princess/rescued (Propp) narrative themes: binary oppositions (Levi-Strauss)enigma codes: question, disruption (Barthes)strands, multi-stranded narrative