MEST4 Linked production: Research and planning

With your preliminary exercise completed, we now need to turn our attention to the actual Linked Production. Your initial task is to complete the research and planning for your production. Work through the following:

1) Confirm your production brief. You write this yourself but it's absolutely crucial this is clear, appropriate and achievable. You should have done this already - the original blogpost was here - but it may have changed as a result of your preliminary exercise.

2) Research: detailed notes on at least THREE texts similar to what you are creating. What are the key conventions? What can you learn/borrow from the examples you have looked at?

3) Project schedule: when will you shoot and edit this production? Make this a week-by-week schedule leading up to Easter. Key dates: we break up for Easter on Friday 31 March and the final deadline is Wednesday 19 April.

4) Script - see the BBC Writers' Room for advice/script formatting. If you're making a music video, you'll want to write a treatment instead. This is an example treatment that I provide for GCSE Media students studying this topic. For print productions, this means writing all the text for the cover, contents and feature articles. Write this in Microsoft Word so you can proofread and spellcheck the work before moving it into Photoshop.

5) Sketching and drafting - for video-based productions this means a storyboard - sheets available in DF07 or you can print out your own AQA storyboard sheet. For print productions, this means detailed sketches of all your pages.

6) Shot list - use Microsoft Word or a template like this to help you. Remember, you need a shot list whether you are filming or carrying out a print photoshoot - professional quality original images are essential if you want to reach the top level.

7) Mise-en-scene: casting/model details, costume and make-up, props, lighting, location scouting for video productions etc. Use photographs to document and plan your mise-en-scene - using your phone is acceptable for this.

All of the above needs to be posted to your MEST4 coursework blog.

Deadline: Wednesday 8 February

Post-colonialism: final blog tasks

To complete our work on post-colonial theory, work through the following tasks:

1) Summarise the three theorists we have looked at: Alvarado, Fanon and Said.

2) Watch the opening of Yasmin (2004) again. Does it offer a positive or negative view of British Muslims? To what extent does it reinforce or challenge Edward Said's theory of Orientalism - that the west is superior to the exotic or uncivilised east?




3) Finally, choose THREE clips for EACH of the theorists and explain how you could apply that theory to the clip. Pick a selection of clips on YouTube from TV, film, music video or advertising and embed them in your blog before writing your analysis under each clip. Note: this means you need NINE clips in total on this blogpost.

Complete for homework: due date set by your exam class teacher

MEST4 Preliminary exercise: evaluation

Well done to everyone who has managed to complete the preliminary exercise recreation task and post it to YouTube/blogs. 

This was a tight deadline and a very challenging task - it's the perfect training exercise for your crucial linked productions that follow. 

You will present your preliminary exercise in class with an explanation of what you did, how the project went and what you learned for the main production. Following the screening, answer the following questions on your blog:

1) Why did you choose this particular recreation and how does it link to your main production?

2) What difficulties did you face in producing this recreation?

3) What are the strengths of the production?

4) What aspects would you look to improve?

5) What lessons will you take from this process that will help you with your main production?

6) Now that you are ready to start your actual linked production, explain clearly what you will be creating and how confident you are in delivering this.

Once you have presented your work in class, you need to make sure the production is posted to your blog along with written answers to the above questions.

Finish for homework - deadline set in class.

Identities: Post-colonial theory & blog tasks

Post-colonial theory is an important part of our work on Identities in the Media.

Post-colonialism does not simply refer to the period after the colonial era. It can also be seen as a continuation of colonialism, albeit through different or new relationships concerning power and the control/production of knowledge. The notes sheet we read in class is available here.

We are interested in post-colonialism and identity in terms of the representation of non-white groups in British media.

Two key post-colonial theorists:

Alvarado (1987)

Four key themes in racial representations; often quoted in relation to the black community but can be applied to other non-white groups:

• Exotic (models; music artists; food)
• Dangerous (crime; gangs; socially dysfunctional)
• Humorous (comedians; sidekicks; quirky)
• Pitied (poverty)

Frantz Fanon: “Putting on the white mask”

Typically black stereotypes can:

• Infantilize - such as the 'cute' children of the Charity Poster or the 'simple-minded‘ 'Step ‘n’ fetch it‘ lazy comedian.
• Primitivize - The 'exotic & virile' tribal warriors or 'bare-breasted maidens' with a 'natural sense of rhythm‘. Sporting prowess.
• Decivilize - The 'Gangsta', 'Pimp' etc.
• Essentialize - Undifferentiated mass-'they all look the same to me'

Destiny Ekaragha

Destiny Ekaragha is a black filmmaker from South London who wrote the awarded winning play - and then film - of Gone Too Far! She has also produced acclaimed short films set in South London including Tight Jeans:

Post-colonialism: blog task

1) Read the excellent article exploring the different representations of black people in British film and TV from Media Magazine 42 (MM42 from our Media Magazine archive - page 51)

2) List FIVE films, FIVE TV programmes and FIVE online-only productions that are discussed in the article.

3) Watch Destiny Ekaragha's clips above (more of her work is available on her website, including the short film The Park). To what extent can we apply Alvarado's and Fanon's theories to these films? Do they reinforce or subvert typical black stereotypes in British film and TV? Refer to specific scenes and events in the clips in answering this question and aim for at least 350 words.

Complete for homework if you don't finish it in the lesson.

January assessment: Learner response

Your MEST3 Section B January assessment is a good opportunity to reflect on your progress so far in Year 13. Are you on track to reach your target grade in A2 Media? 

Complete the following tasks on your blog as your learner response:

1) Type up your feedback in full (you do not need to write mark/grade if you do not wish to).

2) Read through the mark scheme (go to the last two pages of the document - Section B New/digital media). Of the six different statements for each level (e.g. A sophisticated and comprehensive essay, showing very good critical autonomy.) write which level you think YOU are currently working at for each one. Explain WHY and, for any that are not Level 4, what you are going to do to improve in that area. 

3) Look at the Examiners' Report for this particular paper. Read page 10 - Section B New/digital media. How many of the good points or higher level answer examples did you include in your essay? What were they? What could you have added to improve your mark?

4) Read through these exemplar A grade essays from last year. What do these essays offer that yours does not? Identify THREE things you can take from these essays to improve your own responses in future.

5) Write ONE new paragraph for your January assessment essay. Ideally, this should be a section you did not cover in your original essay. This paragraph needs to be comprehensive and meet the criteria for Level 4 of the mark scheme.

Finish for homework if you don't complete it in the lesson. Due: Monday.

MEST4 Preliminary Exercise: Recreation examples

A shot-by-shot recreation is a an excellent test of your imagination, planning and technical skills. 

You need to choose an appropriate 30-second scene, plan out each shot carefully and then shoot and edit it exactly the same as the original. There are plenty of examples of shot-by-shot recreations on YouTube... here are a selection:

Fight Club 'Hit me' scene recreation:



Original scene (poor quality):




Friends opening titles recreation:



Original Friends titles:




Michael Jackson Thriller recreation:



Michael Jackson Thriller original:




You'll also find plenty of examples online of comedy or parody shot-by-shot recreations. It's unlikely your recreation will be a comedy (unless your Critical Investigation is on comedy or similar) but they are very entertaining and quite useful in terms of seeing how each shot is recreated faithfully.

Here's an excellent parody that followed someone losing a Fantasy Football bet. The screens are side-by-side to give you a great indication of how a shot-by-shot recreation needs to include perfect mise-en-scene - particularly location, props, costume and actor movement.

Sia – Chandelier recreation (lost bet parody):



There are also plenty of 'homemade' trailers and clips that also follow the shot-by-shot recreation model. These take big-budget Hollywood scenes or films and recreate them at home using puppets or budget costumes and locations. Again, it can be useful to see these to get an idea of how the framing of shots is the most important aspect of the recreation.

Hunger Games: Mockingjay Part 1 homemade trailer:




And the original Hunger Games trailer:





Print recreation

If you are planning to use print for your linked production, you need to recreate one page of A4 from a professional media text that is similar to what you will be creating. You will need to arrange a photoshoot to produce the original photography and then design the page on Photoshop.

Recreation deadline: Friday 27 January

Identities and the Media: Reading the riots

The media coverage of the UK riots in 2011 provides a strong case study in the representation of young people and how identity is constructed in the media. 

There was an excellent extended analysis of the media coverage of the riots by media professor David Buckingham in Media Magazine - it's essential reading for any Media student. Complete the following tasks:

Read the Media Magazine extended feature on the media coverage of the UK riots (MM38 page 5)

Go to our Media Magazine archive, select MM38 and read the WHOLE eight-page feature. Answer the following questions on your blog with as many references to media theory and examples as possible. Refer to specific aspects of the Media Magazine article too:

1. How did the language and selection of images in the coverage create a particular representation of young people? 
2. Why does David Buckingham mention Owen Jones and his work Chavs: the demonisation of the working class?
3. What is the typical representation of young people – and teenage boys in particular? What did the 2005 IPSOS/MORI survey find?
4. How can Stanley Cohen’s work on Moral Panic be linked to the coverage of the riots?
5. What elements of the media and popular culture were blamed for the riots?
6. How was social media blamed for the riots? What was interesting about the discussion of social media when compared to the Arab Spring in 2011?
7. The riots generated a huge amount of comment and opinion - both in mainstream and social media. How can the two-step flow theory be linked to the coverage of the riots? 
8. Alternatively, how might media scholars like Henry Jenkins view the 'tsunami' of blogs, forums and social media comments? Do you agree that this shows the democratisation of the media?
9. What were the right-wing responses to the causes of the riots?
10. What were the left-wing responses to the causes of the riots?
11. What are your OWN views on the main causes of the riots?
12. How can capitalism be blamed for the riots? What media theory (from our new/digital media unit) can this be linked to?
13. Were people involved in the riots given a voice in the media to explain their participation?
14. In the Guardian website's investigation into the causes of the riots, they did interview rioters themselves. Read this Guardian article from their Reading the Riots academic research project - what causes are outlined by those involved in the disturbances?
15. What is your own opinion on the riots? Do you have sympathy with those involved or do you believe strong prison sentences are the right approach to prevent such events happening in future?

Complete for homework if you don't complete it during the lesson. Due date: set by exam teacher

Note: your TWO new/digital media stories (one news/journalism based) are STILL due every week on your MEST3 exam blogs. These will continue right up until the exam in June.

MEST4: Linked Production planning

For your Year 13 MEST4 coursework, 32 of the 80 marks are for a piece of production work that links with your Critical Investigation. Key details:

• You CAN work with others but the production MUST have some kind of link to ALL of your Critical Investigations. Group size limited to FOUR by AQA.
• Video work generally should be around 3 minutes long and no longer than 5 minutes. However, certain genres or texts will be shorter than this (e.g. 30-second advertisements or 2-minute film trailers).
• Print work must be a MINIMUM of three full A4 pages per candidate (e.g. if a pair work on print work the minimum is SIX full A4 pages).
• Found images/video (e.g. downloaded from the internet) are NOT permitted except as minor additional material (e.g. a small cut-out of a celebrity to use on a magazine cover).
• To achieve top marks, your work must comfortably sit alongside professional examples of the text and genre you have chosen.
• As with AS Level work, the key to professional production work is highly detailed research into the key conventions of your chosen text.

Important note: your Year 13 Linked Production CANNOT be the same as your Year 12 brief (three-minute extract from a 30-minute arthouse film) OR the other Y12 briefs (two-minute section/trailer for a TV lifestyle show; a two-minute music promotion introducing and showcasing a new music artist). 

A reminder of your Year 12 MEST2 brief: Create a three-minute extract from your proposed arthouse film.


Writing your own Linked Production brief

Complete the following and post it to your blog in a new blogpost called 'Linked Production brief'.

Your Critical Investigation topic: 


Your Linked Production brief: 


Length/size of production (e.g. 3 minutes, 5 pages etc.): 


Give an example of an existing media text this is similar to what you plan to produce: 


Give an example of an institution that would produce or distribute your planned production:


How would your production reach its audience?


Who do you plan to work with on this project?



Preliminary exercise: Recreation task

Your Year 13 Preliminary Exercise is to produce a 30-second shot-by-shot recreation of an existing text that is similar to the production you are planning to create. Complete the following in a blogpost called 'Recreation task planning':


Name of the text you plan to recreate:


Scene/section you will recreate:


Location you will use for your recreation:


Actors you will require for your recreation:


Props/costumes you will require for your recreation:


Equipment you plan to use:


Any other relevant information:



Recreation deadline: Two weeks

MEST4 Linked Production deadline: Easter

NDM assessment: additional revision

There are plenty of resources out there to help you prepare for your MEST3 Section B assessment next week.

You will obviously be looking over your two indexes of our News case study work AND all the NDM stories that you have collected over the last term. However, there is plenty more out there. Anything you read in our Media Magazine archive will help to give you a wider perspective on media debates and every issue has several articles with a new/digital media focus. We also have an archive of 150 A Level Media Studies Factsheets that we have subscribed to - in fact, these are brilliant for both critical investigations and the exam topic.

You'll find our Media Magazine archive here and the Media Factsheets are available on the M: Media Shared drive > Resources > A Level > Media Factsheets.

In particular, the following Factsheets will be useful for the exam:

050 'We-Media' and Democracy

053 Journalism in the New Media Age: The effect of online technology

071 Citizen Journalism: from Producer to Audience

076 News Values

088 The Impact of New Media on Politics

092 Globalisation and the Media

104 Audiences in the Digital Age

131 Social Media and the News Agenda

134 Press, Prominence and Persuasion – A Case Study in News and Social Media

There are plenty for you to look through for your Critical Investigation too - horror film, gender, post-9/11 Hollywood and more. Plus one that we could all use for both MEST3 Section B essays AND our critical investigations:

060 How to Write Academic Essays

Remember: these resources are all for you - the more you use them, the better you will do!

Happy new year!

Welcome back and happy new year for 2017!

We’ve got an incredibly important term coming up – it’s only 11 weeks to Easter and in that time we will be completing our critical investigations, producing our linked productions and covering the second MEST3 exam topic.

In your exam lessons, you will be focusing on Identities and the Media – the second MEST3 exam topic. This will explore representations of youth, post-colonial theory (largely the post-war representation of non-white people in Britain), Feminism and gender representation and constructing our own identities in the digital age. Before Easter, you’ll be returning to your New and Digital Media exam topic and researching your own independent case study on a media industry of your choice. Here, you’ll be applying everything you learned in the Autumn to a new industry, exploring the impact new and digital media has had on institutions and audiences in that field. 

In terms of coursework, this is the term when you will develop a final draft of your Critical Investigation as well as planning, writing, shooting and editing your linked production. There’s a lot of work to do and the time will fly by so make sure you’re organised, committed and as creative as you can be.

What can you do to maximise your grade in A2 Media Studies?

Now is the time to really step up your consumption of wider issues and debates in the media. If you want an A/A* grade, you need to be doing the following as a minimum:

Not only completing the minimum homework of two new/digital media stories but really finding excellent articles on the future of news and journalism from across the web. Make yourself an expert on the impact of new and digital technology on media industries.

• This will mean keeping up with the Media Guardian to find out the big stories in the media each week – particularly on a Monday. Look beyond digital media – you should have opinions on politics, economics, media ownership, censorship, data mining and online privacy. 

• Reading each issue of Media Magazine. Our archive is available here – the latest issue (MM548) has excellent features on Brexit, music streaming services and diversity in the media - all excellent, current issues. There may well be articles that are relevant to your critical investigations as well as exam preparation.

• Using our excellent archive of Media Factsheets on the M: drive Media Shared (M:\Resources\A Level\Media Factsheets) to revise and increase your knowledge of wider media issues and debates. There are over 100 topics covered, many of them highly relevant to our exam preparation (particularly media theory and debates) and critical investigations. 

We made superb progress last term and have given ourselves the platform to achieve the very top grades in Media. Now, we need to go out and get them. Good luck!