Identities: Post-colonial theory & blog tasks

Post-colonial theory is an important part of our work on Identities in the Media.

Post-colonialism does not simply refer to the period after the colonial era. It can also be seen as a continuation of colonialism, albeit through different or new relationships concerning power and the control/production of knowledge. The notes sheet we read in class is available here.

We are interested in post-colonialism and identity in terms of the representation of non-white groups in British media.

Two key post-colonial theorists:

Alvarado (1987)

Four key themes in racial representations; often quoted in relation to the black community but can be applied to other non-white groups:

• Exotic (models; music artists; food)
• Dangerous (crime; gangs; socially dysfunctional)
• Humorous (comedians; sidekicks; quirky)
• Pitied (poverty)

Frantz Fanon: “Putting on the white mask”

Typically black stereotypes can:

• Infantilize - such as the 'cute' children of the Charity Poster or the 'simple-minded‘ 'Step ‘n’ fetch it‘ lazy comedian.
• Primitivize - The 'exotic & virile' tribal warriors or 'bare-breasted maidens' with a 'natural sense of rhythm‘. Sporting prowess.
• Decivilize - The 'Gangsta', 'Pimp' etc.
• Essentialize - Undifferentiated mass-'they all look the same to me'

Destiny Ekaragha

Destiny Ekaragha is a black filmmaker from South London who wrote the awarded winning play - and then film - of Gone Too Far! She has also produced acclaimed short films set in South London including Tight Jeans:

Post-colonialism: blog task

1) Read the excellent article exploring the different representations of black people in British film and TV from Media Magazine 42 (MM42 from our Media Magazine archive - page 51)

2) List FIVE films, FIVE TV programmes and FIVE online-only productions that are discussed in the article.

3) Watch Destiny Ekaragha's clips above (more of her work is available on her website, including the short film The Park). To what extent can we apply Alvarado's and Fanon's theories to these films? Do they reinforce or subvert typical black stereotypes in British film and TV? Refer to specific scenes and events in the clips in answering this question and aim for at least 350 words.

Complete for homework if you don't finish it in the lesson.